Belong: A TV journalist's search for urban culture: From by Jennifer Morton

By Jennifer Morton

This publication highlights a distinct method of cultural reportage: knocking on doorways, jogging the streets and taking hazards alongside the best way. From putting out with the blue surfer in Lisbon, the man making risky artwork in his residence in Tokyo, Iqaluit's personal superhero Polar guy to Moscow's evening Wolves, a motorcycle gang with no motorcycles, it is a selection of tales in regards to the international paintings scene and the eccentric characters that make it up. Belong is additionally a glance at how paintings, tune and tradition continue to exist in areas many of the remainder of the area in basic terms go along with warfare, poverty and civil strife, just like the Bob Marley conceal band in Beirut or the architect artist in Tel Aviv who comprises the city's destruction into new structures. As manufacturer and host of television frames -- a express targeting city tradition utilizing a documentary-style layout -- Jennifer activity took her to 41 nations and hundreds of thousands of encounters.

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Extra info for Belong: A TV journalist's search for urban culture: From Beirut to Bamako, from Havana to Ho Chi Minh City

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The everyday was celebrated—like the painting of a woman walking down the street holding a plastic yellow bowl full of fish on her head. One of my favourite pieces of wall art was in Sao Paulo. It was a picture of a man's face to which another artist had applied lipstick in red paint. I loved that. Another favourite was the Rabin Memorial in Tel Aviv. Over a painted image of Yitzhak Rabin were hundreds of comments people had written about what a fantastic man he was, along with hearts and peace signs.

He started making strange bird-like sounds—pretending it wasn't coming from him—and kept tapping on the wall between angry rants to our guide. He wanted money. He thought that we had paid the guy who took us there and was in a rage. I remember thinking, Don't leave any of yourself behind. No stray hairs, no pens, no hat, nothing. When we were in Mali I always had that lingering feeling that things were happening out of earshot and out of our control. Even when we got back to Toronto this guy called and left me a cryptic message.

Blue, he said, was the colour of his blood. And a little bit of his blood hangs on my wall. With no contacts on the ground Darin bought a oneway ticket for his twenty-sixth birthday and just sort of showed up. I loved his bravery. A. surfer who chose to pack up and leave to live in Portugal with a whole new language to deal with and a whole new posse to find. He wasn't a blond-haired, blue-eyed, pretty-boy stereotype. He was inner city. Real street. He hung out on the streets of Lisbon with his boys.

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